Laval Photo Club Exhibition 2025

The Laval Photo Club is pleased to invite you to a photo exhibition featuring its members under the theme “Laval in Photos,” which will be held from April 1 to 29, 2025.

Come discover the works of our photographers and explore inspiring images that will introduce you to the gems of the City of Laval.
The event will take place at the Espace citoyen des Confluents, Marius-Barbeau Library, 1000 Marie-Uguay Street, Laval, QC.
The exhibition is open Sunday to Saturday during library hours.

Admission is free.

For more info: www.clubphotolaval.com

Tamron – Spring2025 Advertising

Thank You to Our Valued Advertisers

 

On behalf of CAPA, I want to extend my sincere gratitude to our advertisers for their support.Your contributions help us continue to foster and celebrate the art of photography, providing opportunities for photographers across Canada and beyond.

Your partnership not only strengthens our community but also ensures that we can keep offering valuable resources, competitions, and educational opportunities to our members. We truly appreciate your commitment to the photographic arts and are proud to showcase your businesses here.

Thank you for being a vital part of CAPA’s journey!

 

Stella d’Entremont
President, CAPA

 

Versatile. Powerful. Made to go everywhere.

One Lens. Every Shot.

The Tamron 18-300mm F/3.5-6.3 VC VXD is the ultimate all-in-one zoom for Sony E and FUJIFILM X-mount APS-C mirrorless cameras. With a massive 16.6x zoom range (27-450mm full-frame equivalent), you can shoot everything from wide landscapes to distant wildlife—no lens swap needed. Compact, travel-ready, with fast, precise autofocus and image stabilization. Plus, get stunning close-ups with a 5.9” minimum focus distance.

Save $150 for a limited time, now through April 20, 2025!

Tamron is an official sponsor of CAPA.

April 2025 Judging Program News

JUDGING PROGRAM NEWS

Work continues on the new judging course. A team of experienced judges and curriculum developers are updating lesson plans, building on the work done by those who created the original course. We are still on track for a fall 2025 launch. Watch for updates in upcoming newsletters.

 

New CAPA Certified Judge

Congratulations to Andrew Pateras who recently completed the Judge Certification Program and qualified as a CAPA Certified Judge. You will find contact information for Andrew on the National Judges List.

 

Update to Judging Information on Website

Under the Judging tab, members can now access the latest version of the CAPA Judging Standard Policy, Judge Certification Guidelines and Online Technical Viewing Requirements. Active Judges will also soon have access to more judging related documents.

 

All CAPA Clubs have online access to the latest list of CAPA Certified Judges and CAPA Apprentice Judges. Log in to your club’s account and go to Members > National Judges List. You must be logged in to your club’s account to download the list.

 

If you have questions or would like further information, please contact the Director of the Judging Program at judgingdirector@capacanada.ca.

London Camera Club – April2025 and May2025 – Upcoming Presentation

Speaker: 7-9 PM EST

April 10: 7-9 PM
Lois Nuttall-“North of Superior – My Photographic Journey and Perhaps One For You”

You can register by clicking here.

 

May 1 7-9 pm EDT
Dee Potter – “Explorations in Photography: A Journey Through Urban Landscapes, Natural Wonders, and Fascinating Faces”

You can register by clicking here.

 

May 8 7-9 pm EDT
Lee Nordbye-An Artist’s Adventures and Misadventures in the Mountains and Exploring Wild Places

You can register by clicking here.

 

May 22 7-9 pm EDT Brad Wood-“Four Season Photography along Niagara’s South Coast”.

You can register by clicking here.

 

The fee is $11.98 CAD

You can have more info by clicking here.

April 2025 Competition Updates

CAPA 2025 CAPA Salon

In accordance with Canada’s Personal Information Protection Act, we have created a comprehensive Privacy Statement for our 2025 Salon. You are encouraged to read this document prior to submitting images into our 2025 salon.

English
French

2025 Global Chinese Photography Association Exhibition

CAPA members may wish to consider participating in this Exhibition 

Total USD15,000 Cash Prizes, 257 awards! 5th GCPA-DAJIANG Cup International Exhibition 2025 Call for Entries !

GCPA is inviting you to participate at the 5th GCPA-DAJIANG Cup International Exhibition 2025. 

Please get your images ready and submit them before the deadline on May 27,2025 (http://www.gcpa.club).

Altogether 257 awards and USD15,000 Cash Prizes are here to be claimed!

Total 7 digital categories, 6 categories (except AI Creative section) are under the patronage of  GPU: L210153 and CAPA Canadian Association for Photographic Art.

Open Color, Open Monochrome, Nature, People-theme & Portrait, Landscape color(General & Drone), Street & City life and  AI Creative, up to 28 photos per entrant. 

LOW ENTRY FEE Only USD10 for all 7 categories!

Closing date:May 27,2025

Country-Canada

E-Acceptance & Catalog

You can join at : http://www.gcpa.club

All awarded entries will be exhibited during the DALI International Photography Exhibition and an awards ceremony will be held.

Questions? Write to contest2020@gcpa.photo

Entry rules:  GCPA

2025 Annual Photo Challenge

Now open and closes on May 15, 2025 – You can view this competition webpage here

Updated – CAPA Eligibility Criteria

To provide appropriate clarification, the following narrative has been added to our CAPA Eligibility Criteria webpage:

  • Image(s) featuring graffiti or street art are eligible for our competition ONLY when they demonstrate substantial creative input beyond mere documentation, such as unique perspective, composition, inclusion of external elements or context that transforms the viewer’s experience.

Understanding RAW Files, DNG Conversion and Competition Requirements

  • To address confusion among photographers regarding image file requirements, this document has been developed to provide clear guidelines and specifications. Document is available is both official languages

English
French

2025 – 2026 Competitions

As of April 1, 2025 our competitions for 2025-2026 are now posted to our Current Competitions listing, on our website 

The following notable updates have been included in all our 2025-2026 competitions:

Image Metadata Required:

All submitted photographs should maintain complete, unaltered original metadata (EXIF). Preserving this information facilitates verification of potential winning entries.

Submissions must include full metadata from post-processing applications to ensure competition integrity. Screenshots and screen captures are not accepted as they remove essential metadata needed for fair evaluation.

The Competition Director will request original un-retouched JPEG or RAW files for potential winning images to verify compliance. Only images with intact metadata will be accepted for verification and authentication purposes.

Photographers of potential winning entries may be required to submit all original files, including unretouched JPG/RAW files, XMP files, and any other image files incorporated into the final submission.

If a photographer fails to provide requested image files when asked by the Director, their potential winning entry will be withdrawn and competition results recalculated.

These requirements aim to ensure transparency and verify adherence to the competition’s specifications regarding image authenticity and compliance with the editing criteria.

Image Specifications

Title of Image

When images are uploaded into a competition, you are required to enter the title of your image into the Title Field which is now limited to 32 characters. Title can be in either  English or French.

For all Zone competitions

The following narrative has been added to all Zone Competitions:

CAPA medals will be awarded to entrants with the highest aggregate scores across their submitted images in both club and individual categories. Additionally, the top three highest-scoring images in each skill level will receive merit award e-certificates.

Questions Raised & Responses Provided

Question Raised: I am looking at doing some reflection photos with shiny objects and possibly using something like wallpaper samples or pre-printed scrapbook paper from Michaels, etc.  I might also use some postage stamps.

I will of course use a camera to take a photo of the reflective object and the purchased printed material will be in the photo.

How does one decide if the pre-printed material is considered clip art which would be forbidden? If I take a photo of graffiti that isn’t mine but is part of a larger scene, I would assume I can include it.  Obviously, a postage stamp is not my original work so what is the difference with graffiti?

Would it make any difference to take a photo of the wallpaper or stamp and then print it to use? 

Our Response: The key distinction we make is between using pre-printed materials as physical elements within your photograph versus digitally inserting clip art or stock images after taking the photo.

When you photograph reflective objects alongside physical items like wallpaper samples, scrapbook paper, or postage stamps, these are considered physical props in your composition – similar to photographing graffiti as part of a street scene. These elements are being captured through your original photography, even though the designs themselves weren’t created by you.

What would not be permitted is:

  • Digitally adding clip art or stock images during post-processing
  • Using digital templates or frames that weren’t physically present when the photo was taken

Your approach of photographing physical objects and their reflections, including commercially printed materials as props, is perfectly acceptable within our competition rules.

Question Raised: Are border or frame permitted in CAPA competitions?  If not, why not? 

Our Response: Unfortunately, all our photo competitions contain the following restriction:

Frames, Borders, Pin-lines, and Mats: Photograph must not contain any decorative elements like frames, borders, pin-lines, or mats.  This includes the edges and markings of scanned film.  When the frame is integral to the captured image, for instance a window frame or door frame that has been captured by the camera, these elements are permitted.

The rationale for this restriction is based on the focus that the competition aims to evaluate the photograph itself, not decorative additions.  Frames and borders can distract from or enhance an image in ways that aren’t part of the original photographic skill.  

With this restriction, all photographers compete solely on their photographic merits rather than their framing or presentation skills, ensuring fairness.  As such, this restriction emphasizes fundamental photography elements like composition, lighting, subject matter, and technical execution rather than post-processing embellishments.  

Finally, decorative elements can create unconscious bias among judges.  Without these elements, judges can evaluate all entries with the same visual baseline.

Speakers Series – April 2025 – Eric Boutilier-Brown

CAPA presents via YouTube Live : Eric Boutilier-Brown

English presentation : April 16, 2025

Pacific 4:00 PM – Mountain 5:00 PM – Central 6:00 PM – Eastern 7:00 PM – Atlantic 8:00 PM (Canada)

Theme/topic of the presentation: Fine Digital Printing

Summary:

Canadian photographer Eric Boutilier-Brown will give an overview of fine digital printing, examining its roots in chemical darkrooms, discussing the differences between home and lab printing, and the incredible potential of the modern fine digital print.

Available to Individual CAPA members via the members only section of the website.

Please login, go to Members > Zoom & YouTube Live Invitation > Speakers Series, copy and save the YouTube link before the presentation.

Speaker's Bio

Eric Boutilier-Brown grew up in Halifax, Nova Scotia, where he continues to live and work. Eric began photographing at 17 prior to attending the Nova Scotia College of Art and Design from which he graduated in 1995.

Eric’s primary subjects are the Nude and Architecture. The first 18 years of his work was produced using film camera (from tiny 110 film all they way up to 12”x20” view cameras). Since 2003 he has been working with digital camera, exploring both visible and infrared light.

Eric Boutilier-Brown has presented lectures on his work, and taught classes and workshops in both Canada and the United States. His work has been exhibited internationally, and published in over 2 dozen books and magazines.

Enjoy a selection of his works below.

March 2025 Judging Program News

JUDGING PROGRAM NEWS

Work continues on the new judging course. A team of experienced judges and curriculum developers are updating lesson plans, building on the work done by those who created the original course. We are still on track for a fall 2025 launch. Watch for updates in upcoming newsletters.

New CAPA Certified Judges
Congratulations to Paul Kiely and Jean-Marc Legentil who recently completed the Judge Certification Program and qualified as CAPA Certified Judges. You will find contact information Paul & Jean-Marc on the latest National Judges List.

National Judges List
The Judges List is now online! All CAPA Clubs have online access to the latest list of CAPA Certified Judges and CAPA Apprentice Judges. Log in to your club’s account and go to Members > National Judges List. You must be logged in to your club’s account to download the list.

If you have questions or would like further information, please contact the Director of the Judging Program at judgingdirector@capacanada.ca.

March 2025 Competition Updates

Join the 2025 CAPA International Salon: Now Open For Submissions!

We’re proud to announce the 2025 CAPA 2nd Annual International Salon is now open for submissions!

This prestigious event transcends traditional competitions, creating a global platform where photographers from diverse backgrounds converge to share their unique perspectives and style in photography. 

Our inaugural salon was an extraordinary success, featuring over 4,300 photographs from entrants representing 45 countries across six continents. From Austria to Vietnam, both established masters and emerging talents united in a celebration of photographic excellence.

Join us this year as we continue to expand our global community of visual storytellers. Submit your work and become part of an international dialogue that honors photography in all its forms.

Why Participate?

  • Global Recognition – show case your talent on an international stage
  • Professional Development – enhance your portfolio and artistic credibility
  • New Horizons – open doors to other salons, exhibitions, and publication

Whether you’re a seasoned professional or an enthusiastic newcomer, your unique images deserve to be shared. Let your images join this worldwide celebration and help demonstrate the rich diversity of the Canadian photography community on the global stage.

 

Check out our salon website here – https://www.capasalon.ca

Salon opened on February 15, 2025 and closed on May 15, 2025.

 

Identifying Generative AI Elements in Adobe-Edited Images

As the Director of Competitions, I am seeing a significant number in photographers seeking ways to verify whether their Adobe-edited image contain generative AI elements.

This concern is legitimate and growing, particularly for our competitions which have strict authentication requirements.

If you’re concerned about inadvertently including AI-generated content in your photography work, these complementary free tools can help validate your images:

  • Metadata2go.com (free) – metadata2go.com – This free online tool allows you to easily check your image files for AI-generated content. Simply visit metadata2go.com, upload your image, and review the displayed metadata. Look specifically for any entries containing “c2pa” references, as these indicate the presence of Adobe Firefly AI generative features, which are not permitted in our competitions.
  • Adobe’s Content Credential (free) – https://contentcredentials.org/verify – Upload your image to the website by dragging it into the large window on the left side. The website will automatically analyze the image to detect any AI enhancement. If the image has been modified using Adobe Firefly’s AI algorithm, the analysis box on the right will display two specific messages:
  1. This image combines multiple pieces of content. At least one was generated with an AI tool
  2. AI tool used: Adobe Firefly

In the event, Adobe Firefly AI metadata has been altered with an EXIF Editor then the Content Credential website will present a message ofThis file may have been tampered with.  Its Content Credentials can’t be verified or viewed.”

*Special Note – For our 2025-2026 competitions, all Editing Criteria Sections have been updated with the following requirement:

  • All competition entries must include complete metadata from the original post-processing application. This requirement ensures competition integrity and fair judging.
  • Images must be properly exported from your editing software, preserving all processing information. Screenshots and screen captures are not acceptable, as these methods strip essential metadata.

 

2025 Fine Art Competition

2025 Quebec Zone Competition

 

2025 Curves and Lines Competition

Now open and closes on March 30, 2025. You can view this competition webpage here.

2025 Atlantic Zone Competition

Now open and closes on April 15, 2025. You can view this competition webpage here.

2025 Prairie Zone Competition

Now open and closes on April 15, 2025. You can view this competition webpage here.

2025 Canada: My Country

Now open and closes on April 30, 2025. You can view this competition webpage here.

London Camera Club – March2025 and April2025 – Upcoming Presentation

Speaker: 7-9 PM EST

 

Mar 20 Gareth Jones – Midjourney AI

You can register by clicking here.

 

Mar 27 Matt Huras – Capturing Compelling Wildlife Images

You can register by clicking here.

 

March 27: 7-9 PM Matt Huras – Capturing Compelling Wildlife Images

You can register by clicking here.

 

April 3: 7-9 PM Todd Murrison-“Architectural Photography & The Art of Seeing Things Differently”

You can register by clicking here.

 

April 10: 7-9 PM Lois Nuttall-“North of Superior – My Photographic Journey and Perhaps One For You”

You can register by clicking here.

 

The fee varies $11.98- $14.09

You can have more info by clicking here.

 

Workshop:

 

Advanced-level Lightroom Classic course

All sessions are on Zoom on Wednesdays 7:00 – 9:00 pm EDT/EST

$20 for LCC members. $40 for guests

Session 1 – March 5, 2025
Session 2 – March 19, 2025
Session 3 – April 2, 2025
Session 4 – April 16, 2025

 

You can register by clicking here.

 

Crescent Beach Photo Club Black – May2025 White Print Competition

 

May 26, 2025 @ 7:00pm 

 

The fee is $10/ticket. At the door.

You can have more info by clicking here.

Toronto Camera Club – March2025 and April2025 – Upcoming Presentation

 

March 20, 2025 @ 7:30pm – Ruth Kaplan – Making a Photo Book. Lecture at the Toronto Camera Club (587 Mount Pleasant Road, Toronto, Ontario M4S 2M5) and Zoom

Ruth Kaplan is a documentary-based photographer whose work explores a variety of themes such as the social behaviour of bathers in communal hot springs, participants in rituals of spirituality and most recently, refugee shelters in Canadian/U.S.A. border cities including Detroit, Buffalo and Fort Erie. Her first monograph, Bathers, has recently been published by Damiani. Kaplan has exhibited internationally and is represented by the Stephen Bulger Gallery. Her editorial work can be found in major Canadian and international publications, she has received numerous grants and awards and is currently a photography professor at OCAD University and Toronto Metropolitan University.

 

March 27, 2025 @ 7:30pm – Cole Thompson – Why Black and White. ZOOM ONLY.

Cole Thompson will make the case that black and white is the perfect medium for any subject…except for one. Cole will show work from his various portfolios including:
The Ghosts of Auschwitz-Birkenau; Harbinger; Ceiling Lamps; Moai, Sitting for Portrait; The Lone Man.

Interspersed between the images Cole will share his photographic philosophies, such as:
Never listen to others; Photographic Celibacy; Coles Rule of Thirds; Equipment is overrated; Vision is the most important tool in my toolbox. And many others!

 

April 3, 2025 @ 7:30pm – Dave Conlon – Anyox BC – 1 Week in Canada’s Largest Ghost Town Lecture at the Toronto Camera Club (587 Mount Pleasant Road, Toronto, Ontario M4S 2M5) and Zoom.

Dave Conlon is a Canadian photographer who specializes in urban exploration, capturing the beauty of abandoned places and buildings. He is known for his unique perspective and skill in capturing the essence of these forgotten structures through his lens.

Dave’s work is characterized by his ability to find beauty in decay. He is particularly drawn to abandoned buildings, factories, and other forgotten places, where he finds inspiration in the remnants of the past.

 

April 10, 2025 @ 7:30pm – James Parsons – My Unorthodox Journey to Six Figure Photography. ZOOM ONLY.

James Parsons is a London (UK) based street photography enthusiast turned professional photographer travelling the world creating for big brands. Whilst only owning a camera for 6 years he has created for brands such as Ferrari F1, IWC Shaffenhausen & Qatar Airways. What’s even more remarkable, he is entirely self-taught and attributes his successful photography career to shooting on the street.
He’s even written a book focusing on simplifying the Art of Photography into its most fundamental elements.

‘If you can take a good photo in the street, you can take a good photo anywhere’.

The fee is $15/ticket

More info by clicking here.

Why I Shoot in Colour

Why I Shoot in Colour

By Bev Anne Moynham

 

When I see people get all excited about B&W photos I wonder what they see that I don’t.  It is well known that people see colours differently and maybe some people who prefer B&W just don’t see the same things that I do. In a textbook for artists on the subject of colour the author Becky Koenig describes colour as “A visual sensation caused by the components of light either transmitted or reflected to the receptors in our eye”.  She also says that “color actually is an illusion caused by reception of the light wavelengths by our eye, which forms colours in our brain”.  Colour is not an inherent property of an object — it is a function of the receptors that trigger colour sensations in our brains.  And these receptors can be different in different people.

Colour can evoke different feelings in different people. This may depend on the culture in which one was raised, life experiences, or just some inborn personal preference.  For instance, Red can represent everything from passion, excitement, and love to violence, aggression, and embarrassment depending on the circumstances.  The absence of colour can also evoke feelings which will also vary from person to person.

Despite all this theory I still wonder what attracts me to colour.  Of course, like anyone, I do have my favourite colours and there are very few colours that I don’t like, at least when they are in their proper context (which is also purely subjective). I even like colour that has no real context — just abstract colours — colour for colour’s sake! I have been known to shoot something terribly uninteresting as a subject just because of the colours and then take it into Photoshop and play with the filters to get some colourful abstracts.

1. Rainbow Colours
OLYMPUS DIGITAL CAMERA

My first camera was a Brownie Hawkeye and colour film was not readily available at the time (about 70 years ago) so all my first photographs were in B&W.  It wasn’t until the mid-1960s that I was able to shoot in colour. Getting colour film developed was too expensive (especially for a teenager) so I followed my father’s example and switched to slides.  I loved my colour pictures and never intentionally shot in B&W after that. Somewhere in my mind, I associate B&W with lack — they lack colour and I lacked the money to produce colour prints back then.

I do agree that some photos, especially portraiture, can be very good in B&W.  There are 3 or 4 pictures I have taken of family members that I like in B&W but they are very few (I don’t shoot people very often). However, most of my photos would be very boring without their colour.  The beautiful blue domes of the cathedral in Cuenca, Ecuador would be rather dull, the rocks surrounding the Red Rock Amphitheatre in Colorado would just be rocks, and the pink dogwood blossoms from the park in Parksville would be without their unique colour.

Another view of the Cathedral Domes
4. Red Rocks Amphitheatre
5. Pink Dogwood

There is no “right” or “wrong” here.  It depends on the subject that the person behind the camera sees and wants to capture. And, as I see it, the subjects of most of my photographs require colour to capture their essence. Therefore, I will continue to shoot in colour.

 

*All images courtesy of Bev Anne Moynham

Jiahua Elite Photography Association CONTACT Photography Exhibition

“Black and White Vision, Gorgeous World”

CONTACT Photography Exhibition on the 10th Anniversary of the Establishment of the Jiahua Elite Photography Association

Time flies by like a white horse. In 2025, we will go through the ten springs, summers, autumns and winters of Jiahua Elite Photography Association together.

In the past ten years, we have held many photography lectures, exhibitions and outdoor shooting activities, witnessing many members grow from beginners to winners of world awards. We have recorded countless beautiful moments with our own lenses and witnessed the passage of time.

On the occasion of the 10th anniversary of the establishment of Jiahua Elite Photography Association, the association plans to participate in the 2025 Toronto CONTACT Photography Festival to showcase the excellent works of members and open up sales channels for members to transform commercial value.

The Scotiabank CONTACT Photography Festival is the world’s largest photography event and Canada’s premier cultural experience. More than 200 exhibitions and events will be held in the Greater Toronto Area throughout May.

CONTACT showcases the works of many well-known and emerging artists, documentary photographers and photojournalists in the Greater Toronto Area. Every year, the festival expands to many different communities, reflecting not only the work of local artists, but also the work of artists who bring an international perspective to the city.

  • Photography Exhibition Time: May 3-5, 2025
  • Exhibition Location: Yanming Gallery
  • Address: 5-245 West Beaver Creek Road, Richmond Hill L4B 1L1
  • Exhibition ThemeBlack and White Vision Gorgeous World, that is: using black and white photography works to show the diverse world, the works can be of various themes, including: landscapes, people, wildlife, architecture, art, still life, abstract, surreal… and so on. Regardless of the subject matter, it must be black and white photography works (pure AI-generated works are not accepted)
  • Curator: This exhibition is curated by Wang Yun and Shi Ying, and Mr. Shan Yanming assists in the curation

February 2025 Judging Program News

Work continues on the new judging course. A team of experienced judges and curriculum developers are updating lesson plans, building on the work done by those who created the original course. We are still on track for a fall 2025 launch. Watch for updates in upcoming newsletters.

The CAPA Judging Program is made up of multiple components. Over the last couple of months, we talked about the Training and Monitoring components. This month we will look at the Support component.

The most visible support offered by the Judging Program is making available to CAPA clubs a list of judges who are not only knowledgeable in the art and craft of photography but also proficient in effective judging techniques.

The National Judges List identifies CAPA Certified and CAPA Apprentice Judges by Zone, listing the genre they will judge, geographic area for in-person judging, contact information and languages spoken. It is updated quarterly and available online for downloading by CAPA Clubs, or by request from the Director of the Judging Program.

 

Other support activities include:

  •  Providing judges a venue for exchanging ideas and support of apprentice judges
  • Responding to judging related queries
  • Offering information to clubs on topics related to competition judging.

 

The Director of the Judging Program works closely with the Director of Education and the Director of Competitions to ensure a well-rounded program that supports CAPA’s objectives.

National Judges List
The Judges List is now online! All CAPA Clubs have online access to the latest list of CAPA Certified Judges and CAPA Apprentice Judges. Log in to your club’s account and go to Members > National Judges List. You must be logged in to your club’s account to download the list.

 

If you have questions or would like further information, please contact the Director of the Judging Program at judgingdirector@capacanada.ca

North Shore Challenge 40th Anniversary Update

Update on the 40th North Shore Challenge

January 12th was the deadline for submissions for the 40th North Shore Challenge from both clubs and individuals.

The number of participants this year is record-setting. 29 clubs from around BC and the Yukon are participating this year as well as 156 individuals (a new record!).

Our goals were far exceeded!

Now the judging of all the images begins.

Don’t worry, if you missed the deadline to submit images for this year’s Challenge. You can still be part of one of Western Canada’s premiere photography competitions by purchasing a ticket to attend the Gala Event on Zoom on Saturday, March 1st starting at 7 pm.

Attendance is only $10. Click here to purchase your ticket.

You don’t want to miss out on this celebration of excellence in photography.

See you at the Challenge but you will need a ticket to attend…

For more information, you can send us an email 

 

Randy, Geri and Kathryn

Prairie Zone March2025 Zoom Presentation

Prairie Zone presents via Zoom : Don Campbell

English presentation : March 13, 2025

Pacific 4:00 PM – Mountain 5:00 PM – Central 6:00 PM – Eastern 7:00 PM – Atlantic 8:00 PM (Canada)

Theme/topic of the presentation: My Approach to Capturing Images

Summary:

Highlighting the unique wildlife, adventures and cultures of the 114 countries he’s visited.

Click here to join the Zoom meeting  

Speaker's Bio

Don began his photographic career in grade 12 when a local TV station, CHBC-TV in Kelowna, BC, had neglected to put a photographer on staff to capture images of products for local advertisers. Instead, they went to the high school for a kid. Don picked up a Bolex 16mm camera at the station and began shooting newsfilm.  He then persuaded them to buy an Image Auricon camera that recorded optical sound on the film and began shooting documentaries.  After his undergrad work at UBC, he started a film production company in Vancouver and shot industrial films, as well as far too many television commercials.

Don moved to Calgary, where he is now based, to design and run a motion picture production program at the Southern Alberta Institute of Technology, for fourteen years.  While there, he took a sabbatical to complete a Masters Degree in Fine Arts from York University in Toronto.

In the mid-90s Don and his wife, Val, began to travel extensively, and to specialize in wildlife photography, a passion that continues to this day. Don has visited 114 countries to date, photographing wildlife in all of them. His style is evolving, and he prefers to react to what he sees and find a way to frame it effectively rather than to exercise the high level of control necessary for producing TV commercials.

While teaching, Don moved away from the concept of ‘composition’, which is what painters do when working with a blank canvas, where they can place things wherever they like, to ‘framing’, which is the process of photographers and cinematographers when deciding on how to position the frame to capture images of what is already in place. He discovered the work of his students noticeably improved when he taught the concept of framing rather than composition.

Don is a member of the Cochrane Camera Club and CAPA.

There are unique and interesting stories attached to some of Don’s images below.

London Camera Club – Feb.2025 and March2025 – Upcoming Presentation

Speaker: 7-9 PM EST

 

Feb 20 Kas Stone – Reality vs Artistry vs Deception in Photography

You can register by clicking here.

 

Feb 27 Jacquie Matechuk, MPA – “Survival Instincts, Lessons from the Wild”

You can register by clicking here.

 

Mar 6 Marlis Butcher – Visiting Remote Qausuittuq National Park

You can register by clicking here.

 

Mar 20 Gareth Jones – Midjourney AI

You can register by clicking here.

 

Mar 27 Matt Huras – Capturing Compelling Wildlife Images

You can register by clicking here.

 

Workshop:

 

Advanced-level Lightroom Classic course

All sessions are on Zoom on Wednesdays 7:00 – 9:00 pm EDT/EST

$20 for LCC members. $40 for guests

Session 1 – March 5, 2025
Session 2 – March 19, 2025
Session 3 – April 2, 2025
Session 4 – April 16, 2025

 

You can register by clicking here.

 

Photographic Guild of Nova Scotia – March2025 – Upcoming Presentation

Celebrating its 77th year as a club, the Photographic Guild of Nova Scotia is pleased to extend an invitation to join us for our Fred & Edie Greene Speaker series. There is no charge to attend these webinars, but donations to support the speaker series are gratefully accepted.

Sunday, March 2, 2025

The Khutzeymateen Grizzly Bear Sanctuary with Lynn Fergusson takes place on Sunday, March 2, 2025 at 7:30 PM ADT. An adventurer at heart, Lynn is a multi-genre photographer from Dartmouth, Nova Scotia. Specializing in wildlife and landscape photography, Lynn also enjoys the challenge of ICM and abstract photography.

Lynn will share with you her journey to photograph the majestic grizzly bears in the Khutzeymateen. The webinar will take you through the planning, preparation and experiences of photographing in a remote location. The presentation will be based on Lynn’s experience in attending one of John Marriott’s Photo tours last May to the Khutzemateen on board the Afterglow I with Ocean Light Adventures, as well as the experiences when remaining on board to participate in a trip run by Ocean Light Adventures with a new group of people.

You can register by clicking here

 

Monday, March 10, 2025

Exploring Scotland – from land, sea, and Skye with David Clow: takes place on Monday, March 10, 2025 at 7:30 PM ADT. A certified judge for the Ontario Council of Camera Clubs (O3C) and the Canadian Association for Photographic Arts (CAPA), David has been an avid photographer for more than 50 years, photographing everything from nature & architecture to portrait/studio photography. In 2022, he added drone imagery to his list of interests, producing both professional quality videos as well as still photography. Come join us as David shares with us his journey to Scotland and the rural island landscape of the Isle of Skye.

More of David’s work can be seen at: www.lightrenderings.com.

You can register by clicking here

February 2025 Competition Updates

Strategy To Address Generative AI in Photography

We have documented our current strategy on addressing Generative AI through keeping pace with technological advancements and education photographers on what artificial intelligence is accepted in our photo competitions.

You can review this document here – (English) (French)

February 1, 2025 – CAPA Stance on Artificial Intelligence in Photo Competitions

This document has been updated to include the most current details regarding about what artificial intelligence features are approved in photo competitions and what are not.

You view this document here –  (English) (French)  

2025 Ontario Zone Competition

2025 Photojournalism Competition

This competition is now open for the uploading of images.  

You are strongly encouraged to review the competition details before  uploading your images into the competition details and ensure your submitted images fall within one of the noted themes.  Competition closes on March 15, 2025 (midnight).  You can view this competition webpage here

2025 Curves and Lines Competition

Competition is also now open for the uploading of images.

Prior to uploading any images into this competition, it is recommended that review the competition details and ensure your submitted images fall within one of the noted themes. Competition closes on March 30, 2024 (midnight). You can view this competition webpage here.

Speakers Series – March 2025 – Dave Conlon

CAPA presents via YouTube Live : Dave Conlon

English presentation : March 19, 2025

Pacific 4:00 PM – Mountain 5:00 PM – Central 6:00 PM – Eastern 7:00 PM – Atlantic 8:00 PM (Canada)

Theme/topic of the presentation: Anyox, BC – Travelling to Canada’s Largest Ghost Town

Summary:

Anyox, British Columbia is a true ghost town with a rich, hidden history. Once a bustling mining hub in the early 1900s, Anyox was abandoned in 1935 after a devastating fire and the Great Depression which drove down the demand for copper. Today, Anyox is a relic of the past, with crumbling buildings and rusted machinery frozen in time. In May of 2024, Dave of Freaktography.com travelled across the country and visited Anyox with full, unlimited access to capture and photograph what is left of this forgotten piece of Canadian history.

Available to Individual CAPA members via the members only section of the website.

Please login, go to Members > Zoom & YouTube Live Invitation > Speakers Series, copy and save the YouTube link before the presentation.

Speaker's Bio


Freaktography is the pseudonym of Dave Conlon, a Canadian photographer who specializes in urban exploration, capturing the beauty of abandoned places and buildings.

He is known for his unique perspective and skill in capturing the essence of these forgotten structures through his lens.

Freaktography’s work is characterized by his ability to find beauty in decay. He is particularly drawn to abandoned buildings, factories, and other forgotten places, where he finds inspiration in the remnants of the past.

His images capture the decay and disrepair of these buildings, while also conveying a sense of the history and stories that these structures hold.

Enjoy a selection of his works below.